Viva la liberta
Robert L. Marshall writes a letter to the editor in response to Charles Rosen's recent review of Abert's W. A. Mozart, recently translated into English. Mr. Rosen responds. The two music scholars esoterically debate what Wolfgang Amadeus Mozart intended to express through his music. They agree that the composer reveled in being original, but don't entirely agree about the meaning of the line "Viva la liberta" in the opera Don Giovanni -- was this a shout out to the "sexual liberty" of the Marquis de Sade, as Marshall asserts, or political liberty, which Rosen thinks more likely? [Link to their exchange in The New York Review of Books]